Pierre Hadot: Philosophy as a Way of Life: Spiritual Exercises from Socrates to Foucault. Michael Chase translation. Oxford: Blackwell, 1995.
One who loves wisdom, pursues it steadily as lovers will do, may organize his life around that love. To organize one’s life is to subject it to a regime, complete not only with a purpose but means of achieving that purpose—a way of life. Political communities also have regimes, and the individual, family, and social regimes within those regimes may find themselves in conflict with that more extensive regime, a conflict Socrates saw and eventually came to symbolize.
Socrates wrote nothing. The evidence presented against him at trial was ‘hearsay’ evidence, exclusively. We know of him primarily because contemporary writers wrote about him: Aristophanes, Plato, Xenophon. Writers are equally subject to political regimes because what they write has a purpose and a way about it, a regime, either or both of which may or may not prove palatable to their fellow citizens. Writings, then, are also regimes within regimes. The form of any writing is its ‘genre.’ In considering philosophy as a way of life and philosophic writings as one aspect of that way, Hadot rightly observes that “a text should be interpreted in light of the literary genre to which it belongs.” For example, Augustine’s Confessions is “essentially a theological work,” not an autobiography as we moderns tend to think. Augustine’s long and even tortured story of stealing pears when a youth symbolizes “the forbidden fruit stolen from the Garden of Eden, and the episode gives him the opportunity to develop a theological reflection on the nature of sin.” (Similarly, André Malraux maintained that the Confessions isn’t really autobiographical at all, “and it ends with a treatise on metaphysics.”) In Augustine’s literary genre, “it is extremely difficult to distinguish between a symbolic enactment and an account of a historical event.” “Understanding a work of antiquity requires placing it in the group from which it emanates”—that is, its philosophic ‘school,’ itself a regime—in “the tradition of [the school’s] dogmas, its literary genre, and requires understanding its goals.” “One must attempt to distinguish what the author was required to say, what he could or could not say, and, above all, what he meant to say,” since “the ancient author’s art consists in his skillfully using, in order to arrive at his goals, all the constraints that weigh upon him as well as the models furnished by the tradition.”
Ancient philosophic writings, and indeed ancient writings generally, formed a link between speakers who wrote nothing and writers. Ancient writings were ‘oral’ in the sense of having been dictated to a scribe and having been intended to be read aloud. “Writing is only an aid to memory, a last resort that will never replace the living word.” If a writer intends to teach his readers, he must remember that “true education is always oral because only the spoken word makes dialogue possible, that is, it makes it possible for the disciple to discover the truth himself amid the interplay of questions and answers and also for the master to adapt his teaching to the needs of the disciple”; “what is inscribed in the soul by the spoken word is more real and lasting than letters drawn on papyrus or parchment.” That being so, there are still ways in which written words might be made to produce some of the effects of spoken words. “Although every written work is a monologue the philosophical work is always implicitly a dialogue,” “tak[ing] into account the level of the interlocutor, and the concrete tempo of the logos in which it is expressed.” Ancient philosophic writers are not ‘system builders’ in the manner of Kant or Hegel. “This is obviously true in the case of Plato’s dialogues, but it is equally true in the case of the lectures of Aristotle,” which are not “manuals or systematic treatises,” as “many Aristotelian scholars” now tend to assume. First and foremost, if not exclusively, Aristotle “intended to train his students in the technique of using correct methods in logic, the natural sciences, and ethics.” Ancient writings are “written not so much to inform the reader of a doctrinal content but to form him, to make him traverse a certain itinerary in the course of which he will make spiritual progress,” as seen in “all the detours, starts and stops, and digressions of the work”; “for the Platonists, for example, even mathematics is used to train the soul to raise itself from the sensible to the intelligible,” as seen in the Meno. We moderns “have forgotten how to pause, liberate ourselves from our worries, return into ourselves, and leave aside our search for subtlety and originality, in order to meditate calmly, ruminate, and let the texts speak to us”—submit to the regime of “a spiritual exercise, and one of the most difficult.” That is because “the works of antiquity are produced under entirely different conditions than those of their modern counterparts,” and with a somewhat different purpose. Hadot writes “to eliminate the preconception the word hilosophy may evoke in the modern mind.”
A spiritual exercise in the philosophic sense submits to the regime of reasoning, of thought ruled by the principle of non-contradiction. (Indeed, lawyers still employ the phrase, ‘the rule of reason.’) If an ancient writer contradicts himself, this may be less a sign of incompetence as a strategy to provoke the reader into thinking for himself. More than that, a spiritual exercise is “existential,” “putting into action all kinds of means” with the intention of acting upon the reader’s whole soul, including the soul’s imagination and sentiments. “Philosophy thus took on the form of an exercise of the thought, will, and the totality of one’s being, the goal of which was to achieve a state practically inaccessible to mankind: wisdom.” In the spiritual exercise, “we must represent to ourselves in vivid colors the dangers of such-and-such a passion, and use striking formulations of ideas in order to exhort ourselves,” forming habits of life and “fortify[ing] ourselves by preparing ourselves against hardships in advance.” This is not the stuff of systematic treatises, which attempt to lay out the nature of things, including our own nature, by means of words, discourse. But the existence, the life, of a human soul is never quite reducible to such treatment. “That’s why it often happens that a poem or a biography are more philosophical than a philosophic treatise, simply because they allow us to glimpse this unsayable in an indirect way.” Spiritual exercises “correspond to a transformation of our vision of the world, and to a metamorphosis of our personality,” our psuchē.
It does so by placing the soul “within the perspective of the Whole.” Reason abstracts, drawing out the universal from the particulars, as seen most simply in naming things by deploying common nouns. Since life as lived consists in large part of a passing parade of events, appetites, and passions, “he who remains faithful to the Logos risks losing his life,” as “was the case with Socrates,” but also in another sense intends to ‘lose’ his life, get beyond the demands of the body and of concrete particulars generally. Hadot calls this “the fundamental philosophical choice”: “the subjugation” of “the body’s will to live to the higher demands of thought,” a regime that “is the training and apprenticeship for death.” This life, ancient philosophers agree, makes life better than ordinary, more intensely lived because lived with attention to itself and the world around it. Hadot cites Socrates, who tells his interlocutor in the Phaedo, “those who go about philosophizing correctly are in training for death, and that to them of all men death is least alarming.” Philosophic spiritual exercise aims not at a trancelike state but at freeing reasoned thinking from the passions, at reorienting the soul, turning it around—in a word, conversion, “a transformation of one’s way of being and living, and a quest for wisdom.”. “The only ones even to attempt to do so are philosophers”; “beneath all their conceptions of death, one common virtue recurs again and again: lucidity.”
“From such a perspective, even physics becomes a spiritual exercise,” as (for instance) the contemplation of the heavens provides “joy and serenity to the soul,” “liberating it from day-to-day worries” by activating the disinterested intellect. [1] As Porphyry remarks, theoria brings happiness to the human soul not by storing it with knowledge, simply but by making what it learns “nature and life” within it. “The goal of physics as a spiritual exercise was to relocate human existence within the infinity of time and space, and the perspective of the great laws of nature.” Logic, another dimension of philosophy, also bids philosophers to the rule of reason. Hadot goes so far as to say that “philosophic theories are in the service of the philosophic life,” even for ever-elaborating Aristotle, who eventually earned the title, ‘master of those who know.’
Hadot says that all the ancient philosophical schools maintained that “people are unhappy because they are the slaves of their passions,” desiring “things they may not be able to obtain, since they are exterior, alien, and superfluous to them”; happiness “is the return to the essential,” to that “which depends on us,” on our inner nature. Philosophy aims not only at wisdom but at autarkeia,” literally self-rule, which Hadot translates as “inner freedom” and others as “self-sufficiency.” A soul can achieve this “with the help of a philosophical theory of nature, but above all through moral and existential exercises,” ethics.
Self-rule, self-sufficiency, inner freedom: yes, but not isolation. Philosophy is the spoken word, and not only words spoken to oneself. “Ancient philosophy was always a philosophy practiced in a group,” very often in schools, such as Plato’s Academy and Aristotle’s Lyceum. “Ancient philosophy required a common effort, community of research, mutual assistance, and spiritual support.” And, after Socrates, it became political, especially among the Stoics, who even fielded a Roman emperor, Marcus Aurelius. For them, “an essential place is accorded to the duty always to act in the service of the human community; that is, to act in accordance with justice,” unblinded by “political passions, anger, resentments, or prejudices.” “Inner peace is indispensable for efficacious action.” On this, the schools varied: Stoics and Aristotelians evidently understood political philosophy as entailing advice to rulers, perhaps even ruling itself, whereas Platonists had more reservations (despite the famous commendation of ‘philosopher-kings’) [2], and Epicureans preferred to recline tranquilly on their couches.
How far could philosophizing extend? Here, Hadot follows the example of the ancients by introducing a contradiction. Philosophy, he writes, “is an attempt to transform mankind.” And “within each school, philosophy signified the attempt to raise up mankind from individuality and particularity to universality and objectivity.” This might or might not be the voice of a philosopher or a historian of philosophy, but it is surely the voice of a democrat, an egalitarian. Elsewhere, however, he affirms that “people such as these,” philosophers, who find their joy in virtue, celebrate a festival their whole life long,” but “to be sure, there is only a small number of such people,” their lives “like embers of wisdom kept smoldering in our cities, so that virtue may not be altogether snuffed out and disappear” from the human species. There is a “strangeness” to this “phenomenon,” even as it has endured “throughout the whole history of Western thought,” albeit with many permutations. [3] “Strange indeed all those philosophers whose behavior, without being inspired by religion, nonetheless [or perhaps consequently?] breaks with the customs and habits of most mortals.” This is why his contemporaries called Socrates atopos, unclassifiable, neither straightforwardly a citizen nor a sage. The philosopher’s love of wisdom, as distinguished from any claim to possess wisdom, makes him “foreign to the world,” a “stranger in it.” Such a person “must live his life every day, in this world in which he feels himself a stranger and in which others perceive him to be one as well,” a condition of attempting “to see things as they are from the standpoint of universal nature and the conventional vision of things underlying human society,” a “conflict [that] can never be totally resolved.”
Hadot pays particular attention to the Platonic/Socratic philosophers and the Stoics. “In the ‘Socratic’ dialogue, the question truly at stake is not what is being talked about but who is doing the talking”; “the Socratic dialogue turns out to be a kind of communal spiritual exercise,” usually conducted not in private but in the marketplace or, if in a home, ‘with company.’ The “exercise” urges the participants “to comply with the famous dictum, ‘Know thyself,'” “invit[ing] us to establish a relationship of the self to the self, which constitutes the foundation of every spiritual exercise.” If I truly come to know myself, I know that I am no sage but at best “a philo-sophos, someone on the way toward wisdom.” Wisdom encompasses ethical self-knowledge, that is, knowledge of “one’s true moral state.” In dialoguing, in reading dialogues, I learn what Anisthenes called “the ability to converse with myself,” to philosophize without other persons as interlocutors, as Socrates may have been doing when he spent time standing still, thinking. “Only he who is capable of a genuine encounter with the other is capable of an authentic encounter with himself, and the converse is equally true.” Readers of these dialogues will see interlocutors who shut themselves down or storm out of the conversation: “We must let ourselves be changed.” The dialectic “demands the explicit consent of the interlocutor at every moment., and that isn’t easy to bring about, since by consenting to each logical step in the argument he “discover[s] the contradictions of his own position or admit[s] to an unforeseen conclusion”—usually in front of his fellow citizens. Platonic dialogues are spiritual exercises in two ways: “the dialogue guides the interlocutor—and the reader—towards conversion,” a ‘turning around’ of the soul toward the Good, as Socrates calls it in the Republic; the dialogue’s success depends on the eros inherent in reasoning, the desire “to submit to the rational demands of the Logos.” “In order to perceive the world, we must, as it were, perceive our unity with the world” because “we can know a thing only by becoming similar to our object.”
Who, what, is Socrates? Alcibiades compares him to “the little statues of Sileni”—trickster spirits—that “could be found in sculptors’ shops, which concealed little figurines of the gods inside themselves.” Outwardly, Socrates was “ugly, buffoon-like, impudent, almost monstrous,” but this costume conceals, if not divinity, the eros for the divine, the Good, within. Socrates’ outward mask consists of “that famous Socratic irony,” his pretension of ignorance and impudence. Irony is “a psychological attitude in which the individual uses self-deprecation in an attempt to appear inferior to what he really is,” thereby drawing out the thoughts of his overconfident interlocutor, thoughts which turn out to be self-contradictory. “At the end of the road, the general turns out to have no idea of what courage really is, and the soothsayer doesn’t know what piety is.” Meanwhile, by following Socrates’ line of questioning and reasoning, the reader learns that he, like Socrates, ‘knows that he does not know,’ thanks to this experience of “what true activity of the mind is”; “he has been Socrates himself.” Socrates approached Alcibiades as if he were in love with him; his verbal irony masks his dialectical strength, while his erotic irony, which “consisted in pretending to be in love” with the youths whom he converses, can bring themselves, and Plato’s readers, to fall in love with him, and more importantly, to fall in love with sophia. This could happen when the one who supposed Socrates loved him discovered his own inadequacy under the philosopher’s questioning, learning that while his body might be worthy of being loved, his soul was not. The loving soul sees itself no longer as beautiful, as ‘having it all,’ but as poor, needy, even “good-for-nothing.” As befits a lover, then, the barefoot, penniless Socrates “embodies desire.” “In Socratic Eros, we find the same basic structure as in Socratic irony: a divided consciousness, passionately aware that it is not what it ought to be. “What the young men “love in Socrates is his love for, and aspiration toward, beauty and the perfection of being.” “In Socrates they find the path toward their own perfection.” Hadot goes a step too far in his description of this Eros, calling it irrational and detouring into Nietzsche’s hope for “a musical Socrates,” the “genius of the heart” who will synthesize Apollonian rationality with Dionysian ardor. Not at all. Just as the soul’s spiritedness generates the love of honor and soul’s appetites generate the several loves of the body, so does the soul’s reason generates the desire for wisdom. The desire for wisdom is rational; reasoning is indispensable to it. For Plato’s Socrates, nature is not synthetic but a thing of articulation.
Indeed, “Socrates pulled off his enterprise of dissimulation so well that he succeeded in definitively masking himself from history,” leaving no writings behind. As a result, “Socrates has always been used as a mask by those who have spoken about him,” beginning with Aristophanes, Plato, and Xenophon. “Especially in the subtle, refined form given it by Plato, the Socratic dialogue was intended to provoke in its readers an effect analogous to that produced by the living discourse of Socrates himself,” a condition of “disquiet in the soul” that can lead to its ‘turning around,’ away from the conventions of the regimes in which the reader lives, toward (as it were) the regime of nature. Among the moderns, Kierkegaard is closest to Socrates, acknowledging that “to be a teacher in the right sense is to be a learner.” And, since actions often speak louder than words, Socrates himself teaches not only by words but by his actions, indicating that “we can never understand justice if we do not live it,” order our souls rightly to as to put our minds in a condition in which they can understand. Alcibiades shows why this is dangerous for the philosopher, saying “Socrates makes me admit to myself that, even though I myself am deficient in so many regards, I continue to take no care for myself, but occupy myself with the business of the Athenians,” who are unphilosophic, upholders of their traditional customs and opinions. They are suspicious of philosophic inquiry. “Concern for one’s individual destiny cannot help but lead to conflict with the state. This is the deepest meaning of the trial and death of Socrates.” And this is why irony is a philosophic necessity, first, because “direct language is not adequate for communicating the experience of existing, the authentic consciousness of being, the seriousness of life as we live it, or the solitude of decision making,” but also because ironic speech, which requires thought to understand, “can make indirect communication possible,” communication of thoughts at variance with prevailing customs and opinions. This understanding of philosophy sees that a real philosopher puts himself on the line, body and soul; he is in that sense an “existentialist,” serious in his play, avoiding philosophic system-building because he knows he is no sage. His school is “the school of the consciousness of not-knowing,” but of wanting to know.
The Stoics are much more explicitly undertaking an exercise, an exercise that “did not consist in teaching an abstract theory…but rather in the art of living.” The Stoics maintained that the passions were the main cause of “suffering, disorder, and unconsciousness” in human beings, bringing on “unregulated desires and exaggerated fears” in their souls. Philosophy is “a therapeutic of the passions,” a therapeutic linked, as in Plato’s Socrates, to the soul’s conversion or turning around. To achieve this, Stoics commend prosoche, attention, “a continuous vigilance and presence of mind, self-consciousness which never sleeps, and a constant tension of the spirit.” [4] What one should especially attend to is “the distinction between what depends on us and what does not.” One cannot change the past or control the future, but he can control our response to what is present by preparing his soul for whatever may befall. The Stoic does this by the exercise of meditation. “We are to represent to ourselves poverty, suffering, and death,” thinking of, then committing to memory, what we will do if, when, they befall us. “When the time comes,” the “maxims” we arrive at will enable us to “confront life’s difficulties face to face, remembering that they are not evils, since they do not depend on us,” but are “after all, part of the course of nature.” Nature is animated by reason; the things that happen to us happen ‘for a reason,’ and it our task to meet them with our own reason, not with wailing and gnashing of teeth.
The title of Marcus Aurelius’ Meditations is better translated as Exhortations to Himself. They are a collection of hypomnemata, notes written each day by the author to himself. It is neither a systematic treatise, as readers in the seventeenth and eighteenth centuries supposed, nor is it a diary of Marcus’ inner workings, much less “a symptom of a psychological malaise”—attributable, according to certain twentieth psychologists, to a gastric ulcer or (in the doped-up mind of Thomas De Quincey), opium addiction. These exhortations are rather intended to prepare Marcus to place care of human things (he was, after all, an emperor) “within the perspective of universal nature,” a procedure Hadot calls “the very essence of philosophy.” Unlike so many political men, “Marcus has no patience for those who would try to console themselves for the brevity of existence by the hope that they will survive in the name they leave to posterity,” seeing that such a hope is almost always vain, and ‘in vain.’ “Marcus’ seemingly pessimistic declarations are not expression of his disgust or disillusion at the spectacle of life; rather, they are a means he employs in order to change his way of evaluating the events and objects which go to make up human existence.” He does this as the ancient philosophers so often do, by detaching those events and objects from “the conventional representations people habitually form of them.” By recognizing that a purple toga is by nature only a colored piece of cloth, he puts the passions we entertain when Romans see one—whether aspiration or envy, pride or resentment—very much in their place, their place in the rational order of the cosmos, which takes little note of such objects. It was Marcus, not one of Shakespeare’s characters, who first said, “What’s in a name?”
And so, “when Marcus speaks of the monotony of human existence, it is not in order to express his own boredom,” not to make much of a mood, “but in order to persuade himself that death will not deprive us of anything essential.” And as for “filth, dust, and other such apparently repulsive aspects of reality,” they are only “the necessary consequence of a natural process which, in the last analysis, goes back to universal reason,” the “accessory phenomena which accompany its transformations.” The “feelings of repulsion we eel in the presence of some phenomena which accompany natural processes are nothing but an anthropocentric prejudice.” Unlike the sentimental, ‘idealistic’ aesthetics of the modern Romantics, Marcus propounds “a realistic aesthetics which finds beauty in things just the way they are, in everything that lives and exists.”
Marcus would discipline desire by strengthening the virtue of moderation, inclinations by the virtue of justice, assent by the virtue of truth, including the absence of hurried thought, which fails to find the truth. He “always sought to give to his thoughts the clarity, rigor, and striking formulations necessary to give them the sought-after therapeutical and psychagogic effect.” Far from evincing victimhood, taking himself to be the victim of fate or disease, Marcus “knew exactly what he was doing.” “It is extremely rare to have the chance to see someone in the process of training himself to be a human being.”
Epictetus propounded still another traditional Stoic idea: “the difference between discourse about philosophy and the practice of philosophy itself.” To discourse about philosophy was to separate its three parts: logic, physics, and ethics, each with its own set of topics for study. But “philosophy itself is the exercise of wisdom,” the exercise of logic, physics, and ethics. “On this level, we are no longer concerned with theoretical logical—that is, the theory of correct reasoning—rather, we are concerned not to let ourselves be deceived in our everyday lives by false representations. We are no longer concerned with theoretical physics—the theory of the origin and evolution of the cosmos—we are concerned with being aware at every instant that we are parts of the cosmos, and that we must make our desires conform to this situation. We no longer do ethical theory—the definition and classification of virtues and duties—we simply act in an ethical way.” To act ethically, Stoics weed out their desires, reducing them to those things obtainable by us because they “depend on us” and not on other persons and things. They then direct their remaining desires “first and foremost to human relationships within the city,” the duties of citizens, actions “bearing upon objects which do not depend on us—such as other people, politics, health, art.” “For him, the discipline of action consists precisely in acting in the service of the human community; in other words, in practicing justice oneself and in correcting injustices.” Finally, Stoics guard the realm of their freedom of soul by “assenting” only to the things that are really there, not to any phantasia, on the grounds that, in Epictetus’ words, “People are not troubled by things, but by their judgment about things.” In all of these exercises, the Stoics put theoretical reasoning at the service of practice, “so that, in concrete situations, we can act in conformity with mankind’s rational nature.”
The Epicureans practiced spiritual exercises, as well, but for different effects. For them, too, philosophy is “a therapeutics,” a way of “healing our own lives,” as Epicurus puts it. And, again like the Stoics, Epicureans held that unhappiness stems from fear of “things which are not to be feared” and desire “for things which it is not necessary to desire, and which are beyond” our control. They depart from the Stoics in identifying happiness not with duty but with pleasure, albeit refined pleasure. “The only genuine pleasure there is,” and one over which all human beings exercise control as long as they live, is “the pleasure of existing,” what a United States president once described as freedom from fear and from want. “This is why,” Hadot explains, “Epicurean physics”—a version of materialist atomism—can “liberate us from fear: it can show us that the gods have no effect on the progress of the world and that death, being complete dissolution, is not part of life.” There is a sort of “Epicurean piety,” expressed in Epicurus’ prayer, “Thanks be to blessed Nature, that she has made what is necessary easy to obtain, and what is not easy unnecessary.” Given materialist atomism, there isn’t really anyone to express thanks to; prayer itself becomes an element of the therapeutics. “For the Epicureans, in the last analysis, pleasure is a spiritual exercise.” Epicureans seek not pleasure in the form of mere sensual gratification, but the intellectual pleasure derived from contemplating nature, the thought of pleasures past and present, and lastly the pleasure of friendship,” which Epicureans hold to be “the spiritual exercise par excellence,” yielding “mutual affection and the confidence with which they relied upon each other.” This “invitation to relaxation and serenity” contrasts with Stoic tension and vigilance. It should be needless to say that Epicureans refused to trouble themselves with politics; political Epicureanism was invented in modernity, as seen in the writings of Thomas Hobbes and, among republicans, those of Thomas Jefferson.
What of the more familiar Christian spiritual exercises, most famously set forth by Ignatius of Loyola? “The conflict between pagans and Christians, from the second century AD on, is highly instructive,” in terms of the provenance of the texts in which philosophy and its spiritual exercises were expounded. “As both pagans and Christians recognized affinities between their respective doctrines, they accused each other of theft,” as Christians “claimed Plato plagiarized Moses,” while pagans “affirmed the contrary” regarding Christian humility as “nothing but a poor interpretation of a passage in Plato’s Laws.” The result was “a series of chronological arguments designed to prove which of the two was historically prior,” with Clement of Alexandria topping everyone by asserting that “the theft dated back even before the creation of humanity,” as “some wicked angel who, having discovered some traces of the divine truth, revealed philosophy to the wise of this world.”
For himself, Hadot regards Ignatius’ Spiritual Exercises as “nothing but a Christian version of a Greco-Roman tradition,” as what is called asceticism is in fact a ‘baptized’ version of the pre-existing philosophic tradition. “Since its inception,” he claims, ignoring a well-known passage in a Pauline epistle to the contrary, “Christianity has presented itself as a philosophia,” although in fairness he means only that Christianity “assimilated into itself the traditional practices of spiritual exercises,” as seen in the writings of Clement, Origen, Augustine, and in the rules of several of the monastic regimes. [5] “Ancient spiritual exercises were preserved and transmitted by an entire current of ancient Christian thought,” a task made easier because God is Logos, as it is (although in another sense) for the Stoics. Clement links philosophy reconceived as Christianity with paideia, “by which he means the education of mankind” in accordance with “the complete revelation of the Logos” in the New Testament, “the true philosophy.” Wisdom no longer needs to be wondered about. As revealed, it can be taught as doctrine and requires no arduous effort to attain. This amounts to a substantial democratization of philosophy.
But “with the advent of medieval Scholasticism, we find a clear distinction being drawn between theologia and philosophia.” The logos about God became the “supreme science,” the love of wisdom its handmaiden. This “emptied” philosophy “of its spiritual exercises which, from now on, were relegated to Christian mysticism and ethics,” making philosophy theology’s “handmaid,” its role to “furnish theology with conceptual—and hence purely theoretical—material.” Christianity, not philosophy, was the right way of life; philosophy wasn’t a proper way of life at all. As with ancient philosophy, spiritual exercise was no mere “code of good moral conduct” but “a way of being,” the best and only true regime. “Under the influence of Greek tradition, the monastic life continued to be designated by the term philosophia throughout the Middle Ages,” as seen in Bernard of Clairvaux, who upheld “the disciplines of celestial philosophy,” and John of Salisbury, who assures his readers that monks are the ones who have “philosophized” rightly. Invoking a well-known Socratic thought, and the meditation practiced in the philosophic schools, Christians of this time regarded “remembrance” of God and of His commandments as “the most radical method for ensuing one’s presence to God and to oneself.” Philosophic self-knowledge became the examination of conscience, the attempt to ensure that it conformed to those commandments and to the Holy Spirit. Enkratia or good rule meant what Dorotheus of Gaz called the “cutting off of self-will,” the substitution of self-will with God’s will and thereby the attainment of “perfect apatheia,” the complete absence of passions. Scripture provided the spiritual character of such meditation, but “the texts from Scripture could never have supplied a method for practicing these exercises,” which “always presupposed the assistance of God’s grace” and “made of humility the most important of virtues,” but which borrowed their techniques from the philosophers, in another instance of the subordination of philosophy to theology and to the Christian way of life, the Christian regime. “In the final analysis, all these virtues were transfigured by the transcendent dimension of the love of God and of Christ.” Learning how to die now meant “to participate in the death of Christ.”
Philosophy’s subordination had an unintended consequence: modernity. “From the sixteenth to the eighteenth centuries,” what Hadot calls “genuinely creative philosophical activity” would “develop outside the university,” under the rule of Catholic and Protestant churches, in the persons of Descartes, Spinoza, Malebranche, and Leibniz.” “Philosophy thus reconquered its autonomy vis-à-vis theology.” But in a strategy seen in the conduct of proponents of heterodox thoughts ever since, modern philosophers took care to win a place within the universities, and especially in the German universities, as seen in such luminaries as Kant, Fichte, Schelling, and Hegel, “with a few rare exceptions like Schopenhauer or Nietzsche.” But philosophy adapted itself to the university way of life, largely satisfied with its status as a theorizing activity even as it freed itself from ‘handmaidship’ to theology. “In the modern university, philosophy is obviously no longer a way of life or form of life—unless it be the form of life of a professor of philosophy.” Since so many universities, especially in Hadot’s Europe, are “state educational institution[s],” this may become a danger to philosophy’s independence. This had already happened in Eastern and Central Europe under the tyrannical and/or oligarchic regimes animated by Marxist ideology, the pseudo-philosophy of ‘scientific socialism.’ But in much of Western Europe and North America, “modern philosophy appears above all as the construction of a technical jargon reserved for specialists,” i.e., as ‘analytic philosophy.’
Writing in the mid-1990s, Hadot does see resistance to the notion of exclusively theoretical philosophizing. With Nietzsche, but then with university-employed Henri Bergson and the many Existentialists, philosophy began to “return to being a concrete attitude, a way of life and of seeing the world.” He is not entirely satisfied with results, at least as seen in the writings of Michel Foucault, then enjoying a decided vogue in academic circles. Foucault lauded the “practices of the self” seen in the Stoics, with their “art of living.” But “It seems to me, however, that the description M. Foucault gives of what I had termed ‘spiritual exercises,’ and which he prefers to call ‘techniques of the self,’ is precisely focused far too much on the ‘self,’ or at least on a particular conception of the self,” one that is far more Epicurean than Stoic. The Stoics distinguished hedone (in Latin, voluptas), pleasure, from eupatheia (in Latin, gaudium), joy. “For them, happiness does not consist in pleasure, but in virtue itself, which is its own reward. And joy does not inhere in a modern ‘self,’ as it does in Foucault, but in the “perfect reason” (as Seneca puts it) of the soul, which ascends “beyond the self” to “think and act in unison with universal reason,” which Foucault, along with the rest of the moderns, regards as a myth; “according to a more or less universal tendency of modern thought, which is perhaps more instinctive than reflective, the ideas of ‘universal reason’ and ‘universal nature’ do not have much meaning any more.” “I can well understand Foucault’s motives for giving short shrift to these aspects” of ancient philosophy, “of which he was perfectly aware.” Foucault’s way of life was aesthetic, and aesthetics is an invention of the moderns. This may be why he says so little about the Epicureans, who seem to be more compatible with his stance; the Epicureans weren’t aesthetes but rationalists, convinced that they possessed a coherent understanding of the cosmos, an understanding they deployed to reinforce their way of life. Foucault shares little of the ancient philosophers’ esteem for reason, and particularly for the universality of reason. Whereas Foucault wants individuals to ‘invent themselves,’ to “forge a spiritual identity” by “writing down and re-reading disparate thoughts,” for the ancients thoughts should not be disparate “but chosen for their coherence,” the absence of contradiction among them. It is simply “not the case that writing constitutes the self”; it rather assists the philosopher in making his thoughts coherent. And the same was true of many early Christians: one monk thought of writing as a substitute for dialogue, as he who writes “is no longer alone, but is a part of the silently present human community.” How will I present myself to this community, the writer asks, preferring not to look the fool by contradicting himself, searching his writings for embarrassing contradictions. Foucault’s aestheticism “may be a new form of Dandyism.” It is the great-great grandson of Rousseauian revery. [6]
Among the moderns of his century, Hadot prefers the ‘phenomenologists’ Edmund Husserl and Maurice Merleau-Ponty, who “want us to return to the world of lived perception or rather to perception-as-a-world, so that we may become aware of it.” This type of philosophy does not so much oppose science (“both, in their own way,” oppose “the world of habitual perception”) but philosophy as practiced by phenomenologists supplements science, which reduces the universe, “by both mathematical and technological means, to its quantitative aspects,” by “deepen[ing] and transform[ing] habitual perception, forcing us to become aware of the very fact that the we are perceiving the world, and that the world is that which we perceive.” For them, “disinterested, aesthetic perception of the world can allow us”—we moderns, saturated with modern science—to “imagine what cosmic consciousness might signify for modern man.” Painting, for example, “makes us feel the presence of things: the fact that” (in Merleau-Ponty’s words) “things are here,” not simply to be reduced to equations. “The experience of modern art,” which “makes things visible,” again, “allows us to glimpse the miracle of perception itself, which opens up the world to us.” Modern art is “the area of our experience in which there might be possible a relationship to the world bearing some resemblance to that which existed between the ancient sage and the cosmos: the world, that is, of perception.” Before Husserl or Merleau-Ponty, Bergson understood that modern man now “lives in the world without perceiving the world,” distinguishing “between habitual, utilitarian perception, necessary for life, and the detached, disinterested perception of the artist or philosopher.” And while “people in antiquity were unfamiliar with modern science, and did not live in an industrial, technological society,” most did not “look at the world any more than we usually do”; “such is the human condition.” The philosophers resisted the human condition, the conventions of the regimes they lived in, seeking to transcend them by the reasoning, philosophic ascent from ‘the Cave.’
Hadot most admires not the phenomenologists or the existentialists of his own century, however, but Goethe, the German philosopher-poet, friend of ancient thought and “a remarkable witness for the type of experience” he has been describing. Goethe’s Faust, “the personification of modern man,” searches for Helen, the symbol of the beauty of nature, “throughout all the mythical forms of ancient Greece.” Their meeting is “the meeting between two lovers” but also a “meeting between two epochs, and as full of meaning as the encounter of a human being with his destiny.” Modern man strives; ancient beauty soothes, consummates. In their dialogue, Helen begins to speak in rhyme, “the symbol of modern interiority”; like a Cartesian, she begins to have doubts; she “reflects upon her destiny,” that is, her past and her future. She begins to veer into ‘historicity’ or historicism in the modern philosophic sense. Goethe wants her to consider what she is doing to herself. In a letter to a friend, he wrote that in antiquity the present moment was filled with meaning, to be “lived in all its reality and the fullness of its richness, sufficient unto itself”—an experience modern men no longer know how to grasp. For moderns, the present is banal; we place our hopes in the future. If Helen begins to feel ‘modern’ in her encounter with Faust, to Faust she reveals “what presence itself is: the presence of the world,” “that splendid feeling of the present. “It is ancient, noble Helen who reveals to him the splendor of being.” “This is what Goethe admired in ancient art, particularly in funerary art where the deceased was represented not with his eyes raised toward the heavens, but in the act of living his daily life,” in “knowing how to utilize the present,” “knowing how to recognize and seize the favorable and decisive instant (kairos).” This was the task of philosophy (both Epicurean and Stoic) and of poetry alike. Goethe strives to recover it, to “place the concentration of consciousness upon the present moment at the very center” of modern man’s way of life. True, “the Epicurean enjoys the present moment, whereas the Stoic wills it intensely; for the one, it is pleasure; for the other, a duty.” But in Faust, the two are combined in the phrases, “Only the present is our happiness” and “existence is a duty.” Not for the mature Goethe, the suicidal sorrows of young Werther. [7] For Goethe, “poetry in the truest sense is a kind of physics, in the sense we have define” as “a spiritual exercise, which consists in looking down at things from above, from the point of view of the nature or the all, and the great laws of nature.”
“Enjoying the present, without thinking about the past or the future, does not mean living in total instantaneousness.” It rather means not brooding upon past and future things, not “rehashing past defeats” or “cowering in fear of future difficulties,” distracting yourself from what is right in front of you, your life right now. “It is eternity—that is, the totality of being—which gives the present moment its value, meaning, and pregnancy,” the eternity as present in each moment of time. Goethe exhorts his readers to “Hold on to Being with delight!” As Hadot puts it, more prosaically, “for modern man in general, hypnotized as we are by language, images, information, and the myth of the future,” study of the philosophic life as lived by the ancients, yet still available to us, “provide[s] one of the best means of access to this wisdom, so misunderstood and yet so necessary. The call of Socrates speaks to us more now than ever before: ‘Take care of yourself.'” Order your soul rightly. What Goethe calls the “secular Gospel” of poetry, wherein Faust can meet Helen, each learning from the other, Christians can see, with Augustine, as the experience of turning the soul “inward upon itself” and finding “the fact that it is an image of the Trinity.” That is, “it is in the triple act of remembering God, knowing God, and loving God that the soul discovers itself to be the image of the Trinity.”
Notes
- See H. G. Wells: The Island of Dr. Moreau in Seven Famous Novels by H. G. Wells (New York: Alfred A. Knopf, 1934.
- See Ariel Helfer, ed.: Plato’s Letters: The Political Challenges of the Philosophic Life (Ithaca: Cornell University Press, 2023) and the two reviews on this website, “Plato’s Politic Practice: Plato’s Letters I-IV” and “What Is Politic About Platonic Political Philosophy?” under the category, “Philosophers.”
- Hadot is especially fascinated by the Hellenistic period, wherein the Greek philosophic texts were translated into Latin and the Mediterranean, Europe, and Asia Minor became progressively Hellenized. “Hellenic thought had the strange capacity to absorb the most diverse mythical and conceptual schemes,” although it may be that the capacity was not so strange, since ‘Hellenization’ in terms of philosophy wasn’t simply Hellenic or ‘nationalist,’ making an appeal to reason, that is, to human nature, to ‘universality.’ The divisions that existed were rather within philosophy, in the form of philosophic doctrines. As the schools became better established, “the dogmas and methodological principles of each school [were] not open to discussion” by its members; “to philosophize [was] to choose a school, convert to its way of life, and accept its dogmas.” While this “does not mean that theoretical reflection and elaboration are absent from the philosophical life,” such reflection and elaboration “never extended to the dogmas themselves or the methodological principles” themselves. As a result, much philosophic activity consisted of the exegesis of texts, written by the founders of the school to which one belonged and “religiously preserved.” According to the schools, “truth was contained within these texts.” It is true that eventually Platonism “came to absorb both Stoicism and Aristotelianism in an original synthesis, while all the other traditions” became “marginal.” “Thanks to the writers of lesser antiquity but also the Arab translations and the Byzantine tradition, this Neoplatonist synthesis was to dominate all the thought of the Middle Ages and Renaissance and was to provide, in some fashion, the common denominator among Jewish, Christian, and Moslem theologies and mysticisms.”
- Hadot remarks that this attention to oneself, “the philosopher’s fundamental attitude, became the fundamental attitude of the monk,” as seen in Athanasius’ Life of Antony. Antony is “supposed to have said to his disciples on his deathbed: ‘Live as though you were dying every day, paying heed to yourselves and remembering what you heard from my preaching.” It is of course certain that what Antony’s disciples heard from his preaching concerned the Creator-God, not nature.
- In the case of some writers of this period (Origen being an obvious example), Platonic philosophy dominates Christian revelation; Origen twists Christianity into Neo-Platonism. Hadot recognizes this, writing, “We may well ask ourselves if such an identification [of Christianity with philosophy] was legitimate, and wonder whether it did not contribute to a large extent to the notorious ‘Hellenization’ of Christianity, about which so much has been written,” “a tendency already at work in the Jewish tradition, particularly in Philo of Alexandria,” who “portrayed Judaism as a patrios philosophia: the traditional philosophy of the Jewish people,” a move also confirmed by the historian Flavius Josephus.
- See “Rousseau’s Solitary Walker,” on this website under “Philosophers.” On the origin of modern “aesthetics,” Hadot refers to Alexander Gottlieb Baumgarten’s 1750 work, Aesthetica, which contrasted veritas logica with veritas aesthetica, the latter being sincere emotion; the astronomer looks at the stars as a scientist while the shepherd talks about them to his beloved in a rather different way, with different intent.
- See “Young Werther’s Wrongly Ordered Soul,” on this website under “Manners and Morals.”
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