Pius X: Lamentabili Sane (“Condemning the Errors of the Modernists”). July 3, 1907.
Pius X: Pacendi Dominici Gregis (“On the Doctrine of the Modernists”). September 8, 1907.
Pius X: “The Oath Against Modernism.”
Pius X is best remembered today as a critic of “modernism,” as set forth in the writings of the French Catholic priest Alfred Loisy, author of The Gospel and the Church, published in 1903. A student of Ernest Renan, the Hegelian scholar whose widely distributed Life of Jesus denied the divinity of Christ and the occurrence of miracles, Loisy maintained that the Church was founded by His disciples in the years after Jesus’ death. (Mistakenly supposing that His Kingdom would be established very soon, Jesus Himself had no reason to found the Church, Loisy claimed.) In a 1907 document, Lamentabili Sane, compiled by the Church’s Holy Office and endorsed by Pius, this claim was listed as the thirty-third of sixty-five modern heresies listed—thirty-three being Jesus’ age when crucified. [1] Other heresies included the ‘scientific’ criticism of Scripture, which claims that “Catholic teaching cannot really be reconciled with the true origins of the Christian religion”; denial of God’s authorship of Scripture; denial of the unerring character of Scripture; the claim that the Book of Revelation is only “a mystical contemplation of the Gospel,” not a real prophecy; the definition of revelation as consciousness; the assertion that because revelation is only human consciousness it is incomplete, ongoing, the Bible being an important way station in its unfolding but no more than that; the charge that Church dogmas have been designed by human beings with no divine assistance; the claim that faithful assent to Church teaching is a probabilistic human judgment, uninfluenced by the Holy Spirit; denial of Christ’s divinity, messiahship, Sonship; denial of the Resurrection, of the expiatory character of Christ’s death, and of the validity of the sacraments, including baptism. Loisy accordingly took a more or less contemptuous view of the Catholic Church, considering it hostile not only to modern natural science but also to advances in theological science. In the words of the Holy Office, modernism holds that the Church “obstinately clings to immutable doctrines which cannot be reconciled with modern progress,” and that such progress “demands that the concepts of Christian doctrine concerning God, creation, revelation, the Person of the Incarnate Word, and Redemption be re-adjusted,” since “truth is no more immutable than man himself, since it evolved with him, in him, and through him.” These are indeed claims consistent with Hegelian historicism, and therefore a century old at the time Loisy published them. The novelty of them, and Pius’ indignation, likely derived from Loisy’s status as a Catholic priest. He would be excommunicated, a year later.
Pius himself wrote a detailed critique of modernism, Pascendi Dominici Gregis, published a few months after the Lamentabili. “These latter days have witnessed a notable increase in the number of the enemies of the Cross of Christ, who, by arts entirely new and full of deceit, are striving to destroy the vital energy of the Church, and, as far as in them lies, utterly to subvert the very Kingdom of Christ”—enemies who “put themselves reformers of the Church” and are the more dangerous because they know the Church more intimately than the outsiders do.” They lay the axe to the root of Church, faith itself, by “play[ing] the double role of rationalist and Catholic.” One of their techniques consists of a sort of intellectual guerrilla warfare, “present[ing] their doctrines without order and systematic arrangement” while hiding under several guises: philosopher, believer, theologian, historian, critic, apologist, reformer.
As philosophers, Modernists affirm the doctrine of agnosticism, holding that human reason applies rightly only to the phenomena, with “neither the right nor the power to overstep these limits.” Reason cannot reach God, affirm his existence, “even by means of visible things”—i.e., the argument from design, cited by the Apostle Paul. Thus, they rule out Thomism, “which they denounce as a system which is ridiculous and long since defunct.” This might have led them to a Protestant-like reliance on faith alone, but their agnosticism is only a way station to atheism, at least in the fields of science and history. There, “God and all that is divine are utterly excluded.” They replace God with “what they call vital immanence”—Hegel with a Bergsonian twist. Religion, Modernists maintain, can be understood scientifically and historically within the life of man, originating not in the Holy Spirit but in “a certain need or impulsion,” in “a movement of the heart,” a ‘religious sense’ located in man’s subconscious mind. God is a sort of life-force, permeated the human mind; ‘revelation’ is only the consciousness of the initially subconscious religious sense. “The religious sense, which through the agency of vital immanence emerges from the lurking-places of the subconsciousness, is the germ of all religion.” This being the case, all religions are “both natural and supernatural,” and there is no principled way to distinguish them or to prefer one to another. Catholicism “is quite on a level with the rest.”
Having rejected God in their scientific and historical work ‘in advance,’ Modernists predictably find nothing about “nothing that is not human” in “the Person of Christ.” Christ is not eternal but ‘historically relative’: in considering Him, “everything should be excluded, deeds and words and all else, that is not in strict keeping with His character, condition, and education, and with the place and time in which He lived.” What Christ taught has been clarified in subsequent generations by the logic of the human intellect, as Christ spoke in terms of mere symbols and parables. Thus, there has been an “intrinsic evolution of dogma,” consistent with the Modernists’ historicism.
Modernists distinguish philosophers and theologians from believers. As believer, the Modernist claims to know God through their “personal experience,” thereby departing from rationalism “only to fall into the views of the Protestants and pseudo-mystics.” He reaches God-as-life-force by way of “a kind of intuition of the heart” which “exceed[s] any scientific conviction.” If I deny this ‘God’s’ existence, it is only because I am “unwilling to put [myself] in the moral state necessary to produce” the religious experience. This again affirms the claim that many religions are true.
This split between science, the knowable, philosophy, and faith, the unknowable, belief, accrues to the advantage of science, which judges religious belief. Modernism makes science “entirely independent of faith” while “faith is made subject to science.” In this, Modernists reject the teaching of “Our predecessor,” Pius IX, wrote, “In matters of religion it is the duty of philosophy not to command but to serve, not to prescribe what is to be believed, but to embrace what is to be believed with reasonable obedience, not to scrutinize the depths of the mysteries of God, but to venerate them devoutly and humbly.” Pius X instead stands with Pius IX and indeed with the distinguished Counter-Reformer Charles Borromeo, deploring the Modernists, who act “on the principle that science in no way depends upon faith” and therefore “feel no especial horror in treading in the footsteps of Luther!”
The Modernist as philosopher holds that “the principle of faith is immanent”; the Modernist as believer adds, “this principle is God”; the theologian concludes, “God is immanent in man.” In so arguing, he reduces the elements of the Catholic liturgy to the status of mere symbols. But what do these symbols now symbolize, if not a Bergsonian, a Hegelian, or even Spinozist God, the God not of holiness or separation but of pantheism?
The Modernist theologian denies that the Church and the sacraments were instituted by Christ. After all, according to them “Christ [was] nothing more than a man whose religious consciousness has been, like that of all men, formed by degrees”—developed, evolved over time. “All Christian consciences were, [Modernists] affirm, in a manner virtually included in the conscience of Christ as the plant is included in the seed.” Scriptural writers ‘heard’ God, but “only by immanence and vital permanence,” since “inspiration…is in nowise distinguished from that impulse which stimulates the believer to reveal the faith that is in him by words of writing, except perhaps by its vehemence.” The Bible is “a human work, made by men for men,” but an expression of the immanence Modernists call God. As for the Church, it is simply “the product of the collective consciousness” of believers—not revealed to individuals and surely not founded by Christ. In this, Pius suggests, the Modernists are the ones who are limited by the ‘spirit’ of their time and place. “For we are living in an age when the sense of liberty has reached its highest development,” seen in the civil order by the prevalence of “popular government” and in the ecclesiastical order in the democratic notion of collective consciousness. To the Catholic Modernist mind, the highest authority is the Church as collective consciousness, an attempt to reconcile “the authority of the Church” with “the liberty of the believers.”
Politically, Catholic Modernism seeks separation of Church and State. The traditional Catholic teaching also separated Church and State but with the State subordinate to the Church. For the Modernists, the Church no longer exercises authority over citizens as citizens. This means that “in temporal matters the Church must be subject to the State.” And if the magisterium of the Church “springs, in its last analysis, from the individual consciences and possesses its mandate of public utility for their benefit, it necessarily follows that the ecclesiastical magisterium must be dependent upon them, and should therefore be made to bow to the popular ideas.” Without this democratization of theological teachings, the evolution of Church dogma will be stymied. To hasten this desired end, ecclesiastical authority “should strip itself of that external pomp which adorns it in the eyes of the public.” Ultimately, democratization “would make the laity the factor of progress in the Church.”
At the central point of his Encyclical, Pius pivots from the Modernists’ ideas to their practice as Church historians, critics, apologists, and reformers. Their “historico-critical conclusions are the natural outcome of their philosophical principles.” So, for example, in considering the life of Christ as historians, the Modernists’ agnosticism assigns the human aspect of Jesus to the realm of historical research while relegating His divine aspect to the realm of faith. The same goes for “the Church of history and the Church of faith. To be sure, faith itself has a history, but it cannot be explained historically by having recourse to supernatural explanations. “The historian must set aside all that surpasses man in his natural condition”—his natural condition being limited to his psychology and “the time and period of his existence.” Historians also limit themselves, perhaps unwittingly, to the presuppositions of their own time and place, a time and place characterized by ‘democracy’ or egalitarianism: “They will not allow that Christ ever uttered those things which do not seem to be within the capacity of the multitudes that listened to Him,” or, even more boldly, those things that they take to have been beyond his character, condition of life, and education. “Their method is to put themselves into the position and person of Christ, and then to attribute to Him what they would have done under the circumstances.”
“As history takes its conclusions from philosophy,” from the ideational framework of the historians, “so too criticism takes its conclusions from history.” According to the Modernists, there is “the history of the faith” or “internal history”—the story the Church tells its members about itself—and there is “the real history” of the Church; there is the Church history of Christ and the “real history” of Christ, the first reflecting the “of faith, who never really existed,” a Christ “who never lived outside the pious meditations of the believer,” the second reflecting “a real Christ. Add the doctrines of immanence and evolution to the equation and one gets the “scientific criticism” of the Bible. Scientific criticism gives us an originally incoherent Bible, whose books were not written by “the authors whose names they bear,” whose passages have been cobbled together from diverse materials by men who lived long after the events described. Such coherence as the Bible now comes from its compilers and editors, who contributed to its “vital evolution springing from and corresponding with the evolution of faith.”
All of this puts apologetics on a new footing. No longer do those who defend Catholicism defend Church teachings as authoritative, simply. They rather admit “errors and contradictions” in them, adding “that this is not only excusable but—curiously enough—that it is even right and proper,” given not only the evolutionary character of faith but the logographic necessity under which Church authorities have operated, their teachings limited by the capacities of the persons they addressed. Errors of science and of history have been defended because the majority of Catholics couldn’t handle the truth, as it were. Focused primarily on “religion and morals,” the authors and editors of Scripture deployed history and science for heuristic purposes, only. As Nietzsche had claimed during the same epoch Modernism arose, “life has its own truths and its own logic—quite different from rational truth and rational logic, belonging as they do to a different order, viz., truth of adaptation and of proportion both with what they call the medium in which it lives and with the end for which it lives.” What is “true and legitimate [is] whatever is explained by life”—an expression of their vitalism.
Pius X intervenes in his description of Modernist arguments to observe that “this is equivalent to attributing to God Himself the lie of utility or officious lie,” the “noble lie” of Plato’s Socrates. Biblical prophecies are no more than “artifices of preaching, which are justified by life.” Such noble lies include Jesus’ apparent claim that his Kingdom was coming very soon. “They tell us that we must not be surprised at this since even He Himself was subject to the laws of life!” In justifying the supposedly “flagrant contradictions” of Church teachings, Modernists justify them on the grounds of the necessities of life. “But when they justify even contradictions, what is it that they will refuse to justify?” Will their lies enhance life, or only aggrandize their own lives? And even if their lies enhance life, does this not amount to worshipping Creation in the place of the Creator?
In Pius’ estimation, even as a form of apologetics, this will not do. Modernist defenders of the Church must attempt “to persuade the non-believer that down in the very depths of his nature and his life lie hidden the need and the desire for some religion, and this is not a religion of any kind, but the specific religion known as Catholicism,” which must be held up as “the perfect development of life,” as somehow immanent in life itself. “They would show to the non-believer, as hidden in his being, the very germs which Christ Himself had in His consciousness, and which He transmitted to mankind.” But like all such claims, this one subverts the actual teaching of Scripture, which adjures human beings to worship God as their Creator, not as integral to Creation, and to understand God as Holy, separate from all He has created and all He has inspired. Jesus may live within me, but He is not part of me.
The Modernist as Church reformer exhibits a passion for comprehensive innovation. He demands that Church government “be reformed in all its all its branches, but especially in its disciplinary and dogmatic departments.” These “must be brought into harmony with the modern conscience which now wholly tends towards democracy; a share in ecclesiastical government should therefore be given to the lower ranks of the clergy and even to the laity.” While the Church should remain outside political organizations, it “must adapt itself to them in order to penetrate them with its spirit.” Pius calls this “Americanism,” and it includes not only democratization but the claim “that the active virtues are more important than the passive, and are to be more encouraged in practice.” This insistence fits with egalitarianism, as the active virtues are the virtues of ‘the many,’ theoretical or contemplative virtues primarily for ‘the few.’
Adroitly aiming Hegelian language against the neo-Hegelian Modernists, Pius calls Modernism “the synthesis of all heresies.” The new theorists, the new ‘few,’ redirect the human intellect in accordance with their core doctrine, agnosticism. “By it every avenue to God on the side of the intellect is barred to man.” Since “the sense of the soul is the response to the action of the thing which the intellect or the outward senses set before it,” agnosticism cuts off the distinctively human characteristic, reason, from the Creator of human beings. This is highly unlikely to lead to an enhancement of faith; “take away the intelligence, and man, already inclined to follow the senses, becomes their slave”—as already seen in the writings of Hobbes, who calls reason the scout of the passions. But “all these fantasies of the religious sense will never be able to destroy common sense,” which “tells us that emotion and everything that leads the heart captive proves a hindrance instead of a help to the discovery of truth”—human appetites being foolish and inconsistent counselors, as Socrates had remarked. As defined by Modernists, religious experience in its variety adds nothing “beyond a certain intensity and a proportionate deepening of the conviction of the reality of the object.” “But these two will never make the sense of the soul into anything but sense.”
Common sense begins the road to prudence or practical reason. Pius appeals to the religious experience of the bishops: “Venerable Brethren, how necessary in such a matter” as religious experience “is prudence, and the learning,” the theoretical framework, by which prudence is guided.” You deal with human souls all the time, “especially with souls in whom sentiment predominates,” those most urgently in need of rational guidance. You have also read “the works of ascetical theology,” which possess “a refinement and subtlety of observation far beyond any which the Modernists take credit to themselves for possessing.” Modernist democrats are not as democratic as they suppose, inasmuch as “the vast majority of mankind holds and always will hold firmly that sense and experience alone, when not enlightened and guided by reason, cannot reach to the knowledge of God.” Absent this rational path, what can remain to men “but atheism and the absence of all religion,” the denial of God as a Person and the affirmation (at most) of pantheism? The Modernist doctrine of immanence does not “leave God distinct from Man”—the definition of pantheism.
While Modernists may “have persuaded themselves that in all this they are really serving God and the Church,” “in reality they only offend both.” Why are they doing this? Here, Pius permits himself an argumentum ad hominem. They are in the grips of a curiosity, a philosophic eros, “imprudently regulated,” seeking to know what the human soul is not “meant to know,” namely the course of Divine Providence, which they have reduced to supposedly knowable ‘laws of History.’ Even worse than their unregulated curiosity is their pride; “they seek to be the reformers of others while they forget to reform themselves.” And they are ignorant, having effected “the union between faith and false philosophy,” a faith in self-generated ‘progress’ of human affairs. They do, however, see some things all too clearly. “They recognize that the three chief difficulties which stand in their way are the scholastic method of philosophy”—Thomism, which adjusts the relation between the reasonings of Aristotle and the revelations of Scripture—the “authority and tradition of the Fathers, and the magisterium of the Church.” “On these they wage unrelenting war,” a long march through the institutions, “seiz[ing] upon professorships in the seminaries and universities, and gradually mak[ing] of them chairs of pestilence,” preaching their doctrines from the pulpits (“although possibly in utterances which are veiled”) and advocating them at conferences. They ‘network’ at social gatherings and publish in books, newspapers, and reviews”; “sometimes one and the same writer adopts a variety of pseudonym to trap the incautious reader into believing in a multitude of Modernist writers.” They are especially influential among the “many young men, once full of promise and capable of rendering great services to the Church,” whom they have now led astray.
Pius accordingly ordains that “scholastic philosophy be made the basis of the sacred sciences” and that all Catholic priests should “promote the study of theology,” understood Thomistically. In the universities, study of the natural sciences shall be undertaken without neglecting the sacred sciences,” which are indeed sciences, that is, forms of knowledge rationally arrived at. Catholic presses shall not publish Modernist books; let publishers outside the faith do so, if they will. Establish a “Council of Vigilance” in every diocese, capable of recognizing and exposing Modernist heresies.
Pius was not slow to write an “Oath Against Modernism,” requiring that Catholic clergy and teachers in Catholic colleges and universities affirm that God “can be known with certainty by the natural light of reason from the created world,” as stated by the Apostle Paul in Romans I:19. The Oath further stipulated acknowledgment of miracles as proof of divine revelation, proofs valid for all time, “even of this time”; of the authority of the Catholic Church, “the guardian and teacher of the revealed truth”; of the falsity of any claim that Church teachings “evolve and change from one meaning to another different from the one which the Church held previously” or that any Church teaching was formulated by unassisted human reason; of the understanding of faith as “a genuine assent of the intellect to truth received by hearing from an external source, not “a blind sentiment of religion welling up from the depths of the subconscious under the impulse of the heart and the motion of a will trained to morality; and of the rejection of pantheism and of the historical relativism modern pantheism tends to support. The Oath endured until rescinded by Paul VI’s Holy Office, which replaced it with the “Profession of Faith.” The Profession eliminates the condemnation of Modernism and the affirmation of Thomism, stipulating only profession of belief in monotheism, the divinity of Christ, the Holy Spirit, the mission of the Church and its teachings in their current form. That is, the Profession drops the condemnation of pantheism and appears to give some leeway to the historicist or evolutionary conception of Catholic teachings. Understandably, defenders of the Oath, and of the Thomistic Catholicism it supports, have dissented.
Note
- The Holy Office is the informal term for what was then called the Supreme Sacred Congregation of the Holy Office, so named by Pius X in 1908. The Office was founded in 1542 as part of the Counter-Reformation and was originally called the Supreme Sacred Congregation of the Roman and Universal Inquisition. Its officers at that time conducted heresy trials. The liberalizing Pope Paul VI renamed the Office yet again in 1965, calling it the Sacred Congregation for the Doctrine of the Faith; twenty years later, the word “Sacred” was dropped.
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